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| Scott Ambush |
I was born April 28th, in the not too distant past, in Frederick,
Maryland to Webster and Jeanette Lofton Ambush. I was preceded by my
sister Cassandra, and followed by brother Peter and sister Tracy. Since
my sister is two years older, and my brother five years younger, I guess
I'd be considered the middle child. A psychological profile I think,
would confirm this.
I attended Ubana Elementary School in Ubana, MD, West Frederick Middle,
and Frederick High School. Although I managed above average grades, my
mom was constantly bombarded with the dreaded "Talks too much in class"
notes. I played in the jazz ensemble, ran track, and play on the football team.
I started playing the bass at twelve when my buddies decided to start a
band. Since one of them already had a drumset, I became the bass
player.(I've been a frustrated drummer ever since.) We began playing
rock and roll by such artists as Jimi Hendrix, Cream, Led Zepellin, Black
Sabbath, Sly and the Family Stone, The Isley Brothers,
Parliament/Funkadelic, and others.
A few years later, my cousin Allen turned me on to Return to Forever and
Stanley Clarke. I was never the same. We formed a band playing "fusion" and
straight ahead jazz, while also playing funk and r&b in other bands. Incidentally, my
mother was a gospel singer, so there was also a lot of spiritual music in my
household. This made for a very diverse` musical development.
After high school, I attended the University of MD at College Park.
While studying psychology during the day, I was introduced to the
Washington, D.C. music scene at night.
Eventually I was spending more time playing than studying, and left school to
pursue music. I played,(and still often do) with a wide variety of musicians and
bands in the area. This exposure led to gigs with regional and national acts both
locally and on the road. (see partial performance list.) Through word of
mouth, I was recommended for the bass job with Spyro Gyra. After
auditioning, I got the gig (obviously). The past five years touring with
the band has been a great experience. We get to see the world, meet new
people, and have our music appreciated by thousands of fans. What more
could a middle child ask for?
Equipment List:
My stage setup is pretty straight forward. It starts with an Ambush
Custom five-string bass. (See frequently asked questions.) The signal
goes into a Whirlwind Selector A/B box, where it is split. One side of
the box feeds a Korg tuner, while the other feeds a Countryman direct
box. This allows me to tune silently while on stage. The signal is
split again at the direct box. One side feeding the house and monitor
consoles the other side is fed into my stage rig. On stage I use an Eden
Navigator preamp, fed into a QSC 3500 power amp, driving an Eden 4x10
cabinet. The cabinet is miked and fed to the house and monitor desks as
well. We use an in-ear monitoring system, so a combination of the direct
and miked signals are mixed in the monitors. As for effects, I sometimes
use a TC Electronics chorus pedal and an EBS Octave pedal.
In addition to the Ambush basses, I sometimes use an Athlete acoustic
bass guitar or a custom Jazz Bass with a Moses composite neck.
In the studio, the bass goes direct to the console, and is combined with
signal from either a miked Eden cabinet or the Navigator preamp.
My home home studio is a basic writer/project affair with Alesis ADAT,
Mackie Board, Yamaha NS10 and KRK KROC monitors, various keyboards,
Alesis DM5 drum module, Hart Dynamics Miltipad and kick drum triggers, a
Power Computing CPU, MOTU Digital Preformer sequencing software, and
soon, Pro Tools.
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